Exes & Axes: Scenes 3-5


Scene 3: A tavern in Navarrenx – Veronique is fixing drinks for Andre – Didier & Albert are making merry

Andre
Merci mademoiselle… here you go boys

Albert
Nice one mate

Didier
Tell me, Andre, what is being married actually like

Andre
It is not a bed of roses, by any means, but the true merit of any venture is in its difficulty, right – if your wife is worth it then all obstacles & pains should be overcome with a simple sense of nobility – but in the course of your wedlock, my friend, I find there is no point in arguing with your wife in any circumstance – you will never win – & you should always let her have the last word, anything you say after that will only lead to a brand new altercation

Albert
I agree wholeheartedly – I find one minute my wife is gently & delectably sipping from a glass of wine…

Andre
& the next, she is throwing it at your head, right

Albert
Right

Andre
I sometimes think they are beings from another world

Albert
Perhaps so – they seem to work from a completely different clock to us – five minutes to a woman is one of our half hours – her half an hour is the same as two of our man hours – & if she says she will be a couple of hours – well, one should simply forget the entire circumstance

Andre
It is the long, loud sigh that worries me the most – when Olive launches one of those into the room I know I shall be enduring a day of much discomfort – I will say to her, are you well my sweet, & she will reply I am fine my darling – which I now understand to mean she is far from fine – that took a great deal of head-scratching, believe me – anyway, when she says she is fine & immediately follows the word this with a long, loud sigh you are trapp’d my friend, there is no way out & it’s not pretty

Veronique brings the drinks

Veronique
Here you are gentlemen

Albert
Merci mademoiselle

Veronique
Enjoy your drinks

Albert
Mon dieu, she is the very essence of Aphrodite

Didier
Why don’t you try talking to the girl

Albert
I would never – she is far too attractive for me

Andre
My friend, woman prefer confidence & personality to good looks, go & talk to her

Albert
But how should I even approach the conversation

Didier
I believe it’s not about saying the right thing, but about not saying the wrong thing

Andre
Tell her you have been observing her from afar & thought her a striking beauty

Albert
Sounds a bit stalkery

Didier
Well, just be funny then – a woman will enjoy a man who can make her laugh

Andre
& remember, he who hesitates, masturbates

Albert
Pardieu! You are right! I shall make a damn good attempt of the wooing

Didier
One word of warning… however beautiful she appears, do not stare at her… frontal delights… during the conversation, it will not be to your credit

Andre
& when you discover the tart’s name, repeat it a few times to yourself, when it comes to courtship, forgetting what a woman is actually call’d is a most terrible faux pas

Didier
Superseded only by calling her by some other woman’s name

Andre
& once you obtain her name, repeat it to yourself a number of times so it becomes entrench’d in your memory

Albert
Thank you for the advice – wish me luck, I’m going in

Andre
Go get her tiger

Albert approaches Veronique

Albert
Hello

Veronique
More drinks

Albert
No – we have plenty, I was just wondering where I had seen you before

Veronique
Albert, you are a frequent visitor to this tavern

Albert
No, I mean, was it at the public library, I was browsing through several books on the subjects of philosophy & mathematics & other such subjects which only a great intellect can understand

Veronique
I don’t go to libraries – can’t read

Albert
You cannot read – O dear

Veronique
What are you saying

Albert
No, nothing, I’m sorry, it is of no consequence your inability to read

Veronique
I’m glad you think so – is that wll you wanted, to make me feel embarrass’d?

Albert
No, I never meant to, wait! – would you at least do me the pleasure of giving me your name

Veronique
It’s Veronique

Albert mumbles her name to himself several times

Veronique
Could you please stop your mumblings sir, you are making me feel uneasy

Albert
My apologies, let me introduce myself formally – I am Albert Dupoint – could I possibly buy you a drink

Veronique
I don’t need you to buy me a drink, I can get one whenever I want – & I am actually working, thanks – so, if you are finished, finally, I have some pots I need to wash

Albert
Do you mind if I watch you… washing those glasses that is…

Veronique
It’s a free country…

Didier
They seem to be getting on

Andre
Love is in the air, I suppose

Didier
So… how do you really feel about me marrying Annie May – I know you had a thing together once – it cut you up rather severely when she ended the trystings

Andre
I have gotten well over it my friend – I am happily married to Olive now

Didier
So, there will never be any hard feelings between us

Andre
Of course not – never – Navarrenx is a small town, Didier – the chances of ended up with one of your friend’s exes is rather high – it is all about dealing with the happenstance – but, there is one thing I want to say

Didier
What?

Andre
You must be careful – once a temptress, always a temptress, you know what she’s like

Didier
Nonsense, the temptress has been tamed, she is completely devoted to me – she tells me every day

Andre
Words & actions are each manufactur’d from a completely different essence – all I’m saying, is, well, be careful

Didier
I appreciate your concern – but this is the genuine article – we are head over heels in love

Andre
Of, course you are, what am I saying, I am so sorry

Didier
It’s not a problem – after all, you are my best friend & my best man – I wouldn’t expect any other action – you are, & always have been like a brother to me Andre

BROTHERS IN ARMS

Well I ain’t no politician
Nor a member of yer family
But when the chips are down
I’ll come running round
Because brother you can count on me

You’re my brother from another mother
& I love the way we share our time
Cos when the day is thro’ I can count on you
Cos you’re the bestest friend of mine

Youre always with me in the good times
You always help me thro the bad times I know
& you give me hope when I’ve no place left to go

When the sycamores are falling
In the valley of Aleppo pine
Well, we got our backs
With our battleaxes
You’re he bestest friend of mine

Like a sister from another mister
Or a geisha girl that pours the wine
When the day is done
Youre a gentleman
& the bestest friend of mine

Youre always with me in the good times
You always help me thro the bad times I know
& you give me hope when I’ve no place left to go

Brothers in arms stick together
In the face of stormy weather
Like Crecy, Agincourt & all the rest

You’re always with me in the good times
You always help me thro’ the bad times I know
& you give me hope when I’ve no place left to go

Didier
I fucking love you man

Andre
I love you too brother – we are like the twinned siblings of a single womb

They embrace – Albert joins in hug – enter the three Musketeers – Portos, Athos & Aramis

Athos
Bazempleu, Porthos ! what a hovel of a tavern

Aramis
But it still serves wine, Athos, it will have to do

Veronique
Well look who it is, the three fucking Musketeers

Porthos
Steady your tongue wench, or I shall slice it off with my sword

Albert
What ya saying mate

The Three Musketeers all draw their swords

Athos
We are saying you’d better sit down & shut up

Albert
You what

Aramis
A bottle of champagne if you please, mademoiselle

Veronique
Certainly sir

Didier
{grabbing Albert}
Albert, come & sit back over here with us

Albert
I’m not going nowhere, not until these oversized pantaloons apologise

Porthos
What did you say

Veronique
Messieurs! messieurs! calm down – here’s you champagne… Albert, go & sit over there with your friends… NOW

Athos
Or better still, go back to Roncevalles where you belong you donkey-fucking mountain-boy

Albert lunges for Athos, Didier drags him back

Didier
Mate, mate, he’s not worth it, come over here & chill out

Albert
Nah, he needs to learn a lesson, mate

Didier
Not tonight, man, it’s my stag do

Albert
Aw fuck it!

Didier drags Albert away / Aramis splurts out his drink

Aramis
Why, you cheap strumpet whore, you have given us Anjou wine instead of Champagne, & fancied we’d not know better

Porthos
She has done what

Aramis
Navarrenx is so full of degenerates these days

Albert snaps angrily & rushes back

Andre
Shit!

Albert
Oi you – yes you – what did you call her

Aramis
I said she was a cheap strumpet whore

Albert
Well you, monseigneur, are just a mustache twiddling cunt

Aramis
You what

Albert decks Aramis & they begin fighting; Andre, Didier, Porthos & Aramis join in; the fight is broken up by the entrance of Louis

Louis
Arret! Arret! Stop this at once

Albert
Oh shit

Didier
Monsieur Trezeguet, I am so sorry, this is not the real me, I promise, I was randomly embroil’d in an altercation, I promise with all my heart I will be a good husband to your daughter

Louis
I do hope so, Didier, & Porthos, what the hell are you doing – this man is marrying my daughter tomorrow, it would be better if he were actually alive

Porthos
Monseigneur, I apologise, we were all in high spirit

Louis
Look, you are three & you are three – how dies unlimited dinner & drinks for six sound – on me of course

Aramis
Huzzah

Albert
I suppose that sounds alright

Louis
I wish there will be nothing but absolute joy on my daughter’s special day – there will be no more bad energy created in Navarrenx for the foreseeable future – do you understand

Andre
Of course, Monseigneur

Louis
Veronique, I will clear the bill for all these six men consume this evening on the morrow – I actually came in to tell you not to forget those cute little pink doyleys for wedding feast

Veronique
All under control Monseigneur Trezeguet

Louise
Messieurs, behave yourselves

Exit Louis

Porthos
You heard the man, we shall begin with six bottles of your, ehm, champagne as you call it… the fact it is free should make up for its deficiencies in quality

Aramis & Athos
Huzzah

Didier
Take a seat with us

Athos
So, who is it that is getting married on the morrow, is it you

Didier
It is

Athos
Well, if this is your last night of freedom, let’s get absolutely shit-faced

Porthos
All for one & one for all

All
Huzzah

Andre
By the way, what time is it

Didier
It is twenty minutes to eleven

Andre
That late ! Alas, I am afraid I continue with the festivities – I promised my wifeI would be home by elevem – we wanted a good night’s sleep before the festivities

Didier
Are you sure you’ve got to go?

Andre
Yes, I must

Veronique brings the drinks

Veronique
Your drinks

Didier
Stay & have this last glass with us

Andre
No – I must be off, you will understand yourself when you are married, its not worth the hassle

Didier
Ah well – there will be plenty of wine come the morrow – just make sure you are at the church for mid-day

Andre
It is not me we need to worry about – Albert, you’re now in charge, make sure he gets home tonight

Albert
Of course

Andre
Messieurs & Musketeers until tomorrow

Albert
It’s going to be a lot of fun – & you’re coming too, right guys

Porthos
We are

Didier
Sure

Three Musketeers
Huzzah

Exit Andre – the men dive into conversation & drinking


Scene 4: The woods / Annie-May is waiting / enter Andre

Annie-May
O Andre – my sweet Andre – I am so glad you came – what took you so long

Andre
I went to see my wife before I attended this extremely inappropriate meeting

Annie-May
Did you tell her you were coming to see me

Andre
Of course I didn’t – she would have exploded – she is asleep now, so I felt I could come – tho’ I do feel extremely strange in doing so – for example, why are we secretly meeting in the woods the midnight before your wedding – and here of all places – our secret trysting site

Annie-May
I just needed to see you one last time – as a single woman

Andre
You what

Annie-May
There is something most particular I must tell you

Andre
What is it Annie May

Annie-May
You must know that it is you whom I truly love

Andre
What! Well, why are you marrying Didier

Annie May
It is simply his chopper – it is enormous – in a small town like Naverrenx, a girl like me needs an axe like that

Andre
Here we go – it’s always been about my axe – change the ballad-sheet Annie, it’s getting boring

Annie-May
I’m sorry, I’m just so confused

Andre
You have always been the same Annie-May – all you think about is your own needs, & to blazes with anyone who gets hurt in your wake

Annie-May
But darling – I still think of you every single day – we shared the most – exquisite of moments – in this very place – do you remember the time we were stood up against that tree

Andre
Hah – that I do recall… but you have made your choice, you are marrying my best friend

Annie-May
Could I at least have one last kiss – a farewell of sorts

Andre
I cannot comply with such a request as that

Annie-May
But it would just be for the sake of old times, for the sake of good old times

Andre
No – I cannot betray Didier in such a fashion

Voices approaching

Annie-May
Quickly – hide

Enter Didier, Albert & Aramis – they are very drunk

Aramis
Ah man – I love you lads, thanks for inviting me back for a nightcap

Albert
Not a problem at all – we are delighted to have you

Aramis
The other Musketeers are exceedingly dull in comparison – must be in bed by midnight, Aramis, must be doing the King’s service in the morning Aramis – Porthos is as vain as narcissus, & Athos, well he’s just a dick – anyway, enough of all that, Didier, tell me about this bride-to-be of yours, what’s she like

Didier
Mere words could never express how much I love her – she is the epitome of womanly perfection – & I simply cannot wait until this time tomorrow, when our conjoinment shall be finalised – carnally

Didier vomits

Albert
Better out than in – come on, let’s get you home

Didier
Alright, alright

Didier vomits again – as he wipes his mouth with a handkerchief from his pocket the lemon blossom falls out

Didier
Urrgh – that is better – but I do rather feel as if an elephant has defecated in my cranium

Albert
I think we had better get you to your bed – Aramis, give me a hand will you

Aramis
Steady on your feet, there, Didier, one foot in front of the other, that’s great, keep it up

Albert
Just a few minutes, mate, almost home

Exit Albert, Aramis & Didier

Andre
That was too close

Annie-May
You see what I am marrying – he is a veritable beast – please, please Andre, give me one last chance to feel again the one true love of my life

LETS GET ON IT

I’ve waited ages to meet in our favourite place
For the moment to come when we stand face to face
We kiss & we touch, wrap our arms round our waist
As I suck on your lips then we quicken the pace
then we slowly unravel the clothes that we wear
Lose the rose as it glows like the sun in your hair
then we fumble & tumble right onto the floor
It’s the time that the angels must always adore
Let’s get on it I want it I know that you want it
I know that I want it, I want you to want it
& as we get on it lets sing a love sonnet
I’m on it, I want on it
Let the passion roar x 2
Let the passion soar x 2

You’re full of bad chat you don’t dig my hat
& you never listen to a word I say
You’re my Annie-May
You use illusion, make confusion
But you’re always smiling when the skies are grey
You’re my Annie May, when you say

If you want my body take me home, home take me home
If you want my body take me home, boy take me home
If you want my body take me home, c’mon take me away
I’m your Annie-May

So, this is the time of our lives yes, it is
As we’re joined at the loins with our groins in a tizz
She sings in my ear such a sensual sound
As it swells to the bells of our hearts as they pound
To this moment of magic two lovers entwined
As some beautiful music moves up thro the mind
It’s the song of Olympus while Bachus plays on
We are good, we are strong, we belong, we are one
Let’s get on it I want it I know that you want it
I know that I want it, I want you to want it
& as we get on it lets sing a love sonnet
I’m on it, I want on it
Let the passion roar x 2
Let the passion soar x 2

You’re full of pullbacks
You don’t dig my axe
But you’re always smiling when the skies are grey
You’re my Annie-May
You make diversions, casts aspersions
But I’m so excited when you’re out to play
You’re my Annie-May, when you say

If you want my body take me home, home take me home
If you want my body take me home, boy take me home
If you want my body take me home, c’mon take me away
I’m your Annie-May, until my wedding day
I’ll be your Annie-May until my wedding day…


Scene 5: The same / it is dawn / Andre & Annie-May are asleep in a post-coital embrace / enter Didier

Didier
Where is that fucking flower – respect the Gypsies my grandmother said – I could hardly bring a curse down on my married life before it has even begun – now where on earth could that flower be where – I recall being sick somewhere, now where was it… uugh, found it – & the flower also – ah! Mon dieu !

Didier freezes as he sees Andre & Annie-May asleep

MURDER ON MY MIND

There’s a traitor’s pain in my side
Tonight, I’ll murder my bride
I saw her down in the woods
Doing something that curdl’d my blood
But I still love you baby
But I can’t lie with you
Cos ya lying to me

Deep inside deep inside deep inside I’m bleeding
What is more, I feel raw for the gore I’m needing
But I still love you baby
But I can’t lie with you
Cos ya lying to me

I’m sorry that u have to die
I’m sorry but u have to die
I’m sorry that u have to die
I’m sorry but u have to die

You broke my heart
Before we did marry
It’s time to start
Your hari-kari

Tonight, were the talk of the town
Celebrating true love which we’ve found
& then when the town’s all asleep
I’ll drown my love down in the deep
Cos I still love you baby
But I can’t lie with you
Cos ya lying to me x 4

Exit Didier

Andre
What was that – I heard a noise

Annie-May
It was probably a wild boar or something – but look – it is dawn – I, I – must get home – I’m getting married today

Andre
But how can you marry him now – after last night

Annie-May
I must

Andre
No – I insist you call the wedding off & marry me instead – we cannot spend the rest of lives living a lie

Annie-May
But you are married yourself

Andre
Ah shit, I forgot – well it was a mistake to marry Olive – I only became her lover to soften the anguish of losing you – then she fell with child & I was forc’d to marry her – to save your father’s precious status in the town – then she lost the baby & I was stuck – I have never loved her – it has always been you

Annie-May
We would never be accepted in Navarrenx – my family would not accept the union, & it would kill my sister – no, it cannot be

Andre
We could elope – catch the morning coach – we could be in Paris in a week

A pause

Annie-May
A charming & romantic thought, but I must marry Didier – our won love-making last night, Andre, was heavenly, however – I will take the memory to my grave – always remember, that while my body goes to him, my heart shall live in thine – farewell my lover, my dear, dear Andre

Exit Annie-May – Andre sits on the ground dejected – begins to cry

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