
Scene 24
Chicago / Herbert Muhammad’s photography studio / Herbert is working / there is a knock on the door
Herbert
Come in
MA
Brother Herbert
Herbert
Ah, Muhammad
As-salamu alaykum, God bless you
MA
As-salamu alaykum to you too
{They embrace}
So, here you are in Chicago, welcome
MA
Glad to be here, is this your studio
Herbert
Yeah, I do a bit of photography,
Y’know, helps pay the bills
MA
Wow, these are really good
Herbert
Thank-you, brother
So… you have spoken to my father, right
MA
Yeah, we spoke on the phone the other day
Herbert
He told you of his plans for you & I
MA
He did, I love & respect your father
He wishes you to be my spirit’s guide
Upon this path of battles that I tread
Herbert
& I shall walk beside thee every step
Observe thy business dealings, making sure
No wolves, or vultures, succour on the flesh
Make sure the White Man never dare defraud
A dollar of thy worth
MA
Thank-you brother
Can I ask you something, well, delicate
Herbert
Fire away
MA
It’s about Malcolm
Herbert
Malcom, you’re meaning the ex-dope addict
A jailbird who had no education
Couldn’t read or write, then met my father
Who took him off the streets, who clean’d him up Who educated him, Brother Ali
We need not speak about him anymore
He’s been suspended indefinitely
The Messenger knew of the influence
He had upon you, & has thus transferr’d
The wisdom of the Nation unto me
& I shall by thy guide, that mantle mine
MA
Indefinitely
Herbert
Indefinitely
MA
Hey, who is this girl, she is beautiful
Herbert
Let me see, O, that’s Sonja
MA
She’s stunning
Herbert
Her figure’s lovely & her face is fair
She’s graceful, two cents slick, & exquisite
Such a strikingly sensuous woman
Whenever she cuts strutting thro’ the room
It gushes blossoms of Camellia
As enigmatic as the magenta
Peonies of central Siberia
With a scent of Sicilian Sweet Pea
She in Chicago dwells, not far from here
Her pretty voice telemarkets sometimes
Over the phone for Muhammad Speaks
MA
Is that right – any chance I could meet her
Herbert
Sure… what, now
MA
Yeah, why not, I’m not here long
Herbert
Alright, I’ll give her a call… let me see
{dials the number}
Sonja, hi, it’s Herbert… I’m doing good,
So, I’m with Muhammad Ali
Muhammad Ali, that’s Cassius Clay
The boxer, right – well, he wants to meet you
What are you doing today… this evening?
Good, why don’t you two kids go grab some fun,
Wonderful, I’ll pick you up at seven
& drop you off wherever you think best
Would facilitate an easy night out…
OK, bye Sonja, & thank-you so much
{hangs up},
Looks like you’ve got yourself a date brother
MA
Tonight
Herbert
Yep… she says there’s a great band on
Some club downtown, you got your dancing shoes
MA
Eh, no, & nothing nice to wear, really
Herbert
OK, then, let’s go shopping my brother
& get you looking dagger-sharp for love
MA
Love?
Herbert
Love, lust, or just looking good, whatever
When Sonja sees you she will lose her mind
You got any money
MA
No, not on me
Herbert
Don’t worry about it, I’m paying
MA
Thanks
Herbert
{opening door}
After you, champ,
MA
Thank-you brother Herbert
Exit Herbert & Muhammad Ali
Scene 25
A nightclub in Chicago / a band is playing / enter MA & Sonja dressed for a night out / they are showed to a table by a waitress
Waitress
Here you go, nice view of the band
MA
Thank-you very much
Waitress
Whaddyawanna drink
MA
Just a water for me
Sonji
Just a water
MA
They say waters for winners, & besides
The Nation of Islam’s bann’d alcohol
Sonji
Well, I’m having a martini dry, please
Waitress
Sure thing, martini dry & a water
Coming right up – any bar snacks with that
MA
Yeah, bring the lot
Waitress
Will do
MA
Thanks… man, you’re short
I mean, you are beautiful, but you’re short
Sonji
I’m not that short, I’m five foot three, & see
I’m perfectly form’d
MA
You certainly are
Sonji
& you’ve got big feet
MA
Huh – looks like I do
Sonji
Do they make you clumsy on the dance floor
MA
Clumsy? Me? No way! Have you seen me fight?
The way I dance around my opponents
I’m like a ballerina in a ring
Sonji
No ballerina gonna beat Liston
MA
Damn straight – but yeah, I can dance
Sonji
You & I
Could have a little boogie in a while
MA
Yeah, I’d love to, so Sonji, who are you
What do you do
Sonji
Well, nothing too special
I’m a cocktail waitress, I’m a model
MA
Who do you model for
Sonji
Tan magazine
MA
Ah, that’s respectable
What’s your father do
Sonji
My daddy
MA
Yeah girl
Sonji
He was shot when I was a little girl
I was two years old, he was playing cards
MA
Woah
Sonji
I was brought up by my godparents
MA
What
Sonji
My mom died when I was eleven
MA
Man, I’m…
Sonji
You’re nothing, your life’s not mine
MA
It didn’t used to be
Sonji
What do you mean
MA
Are you not feeling what I am feeling
Sonji
What you feeling?
MA
Well, I’m feeling something
Sonji
Come on, we’ve only just met
MA
It’s nice tho
More than nice, I’m feeling wonderful
Sonji
Some kind of biorhythms going on
Blending, molding, forming, conjoining souls
You’re quite the attractive, intelligent
& spirited woman
Enter waitress
Waitress
Here are your drinks
MA
Thank you
Sonji
Enjoy
MA
Hey Sonji
Sonji
Muhammad
MA
You know I’m the heavyweight champion
Sonji
Yeah
MA
Have you seen me on TV
Sonji
I have
MA
How do I, well, come across, whaddya see
Sonji
Jeesh, it’s more what I hear than anything
The Louisville lip in all his glory
All that shouting & all that hollering
But what a difference, the real man
Demure as any teenage debutante
MA
Without my shouting & my hollering
Without making the public take notice
I’d be poor & I’d probably be stuck
In my dumb ol’ hometown washing windows
Or running an elevator, saying
Yes sir & no sir & knowing my place,
Instead I am one of the highest paid
Athletes in the whole world – think about that
A southern colour’d boy has gone & made
One million dollars
Sonji
A million
MA
Not yet, but I will do soon
Sonji
That’s something
MA
I’m gonna need someone to spend it on
Sonji
Hah – so what was it like
MA
What wawa what like
Sonji
Liston – fighting the Big Bad Bear
MA
Liston
I tell you what that man can fight like hell
Sonji
Were you scar’d
MA
When Liston gave me that scare
I will not lie, girl, I was terrified
One of the greatest fighters of all time
Wanted to hurt me & hurt me real bad
It frighten’d me knowing how hard he hit
Sonji
Well, you beat him all the same
MA
I sure did
Sonji
So, Heavyweight Champion of the World
You’ve no security, do you feel safe
MA
I do not need no bodyguard, nor guns
For Allah watches over me always
If I go strutting thro’ a stadium
With a hundred thousand people in it
Nobody could e’er prevent somebody
Putting a bullet in my bones & brains
But I cannot be worrying about
Such things like that, a man driven by fear
Will never love this precious life, enjoy
It’s better sweetmeats, or its plainest joys
So I trust in God to look after me
For Allah fixes the time for us all
When we shall join him in his paradise
Enter the Fan
Fan
Cassius Clay, is that you Cassius
MA
Eh – my name is Muhammad Ali now
Fan
Oh I’m sorry, about that
MA
No problem
Fan
I wanted to say, I’m from Mexico
You’ve made a lot of friends in our country
& you are a terrific champion
MA
Thank you
Fan
Could I please have your autograph
MA
Sure
Fan
Thank you so, so much
MA
Tell Mexico
I love them too
Fan
I will, of course, thank you
Sorry to disturb
Exit the Fan
Sonji
Money AND fame, huh
MA
I’m starting to get used to it
Sonji
Tell me
All of this business predicting the rounds
Are you some kind of, like necromancer
You know, vers’d in voodoo & all of that
MA
Perhaps I’m a smidgeon oraculous
But I’m sure that one thing’s gonna happen
Sonji
Yeah, what’s that
MA
You gon’ fall in love with me
Sonji
Is that right? well, why don’t we surf the swing
Let’s see if you can dance with a woman
MA
Why, certainly, this band can really play
MA & Sonji start dancing
Band Leader
Well, well, well, eh, ladies & gentlemen
Looks like we have one of our favourite
Singers in tonight, I’m certainly sure
She’ll want to join for the next number
Hey Sonji, wanna come & sing a song
Sonji
Oh no, brother, I’m busy
Band Leader
Just one song
MA
You can sing
Sonji
A little
MA
Well, go do it
I wanna see
Sonji
Really
MA
Yeah
Sonji
Alright then
Band Leader
She’s coming up – ladies & gentlemen
Miss Sonji Roi
Sonji
What’s the song
Band Leader
Stand By Me
Sonji sings Stand by Me / MA joins in half way thro /at the end of the song she rejoins MA & they kiss
MA
Baby I wanna marry you
Sonji
You what
MA
Will you be my wife
Sonji
We’ve only just met
MA
So… your gaze invites me to risk my faith
It burns with an intoxical madness
I know already, you’re already mine
Soul mates forever, two deep hearts entwin’d,
I am completely encraz’d by your style
& in the radiant depths of thine eyes
Being beguil’d by the allure of you
All time is forgotten, into my arms
Come slither thyself, let me kiss those lips
They kiss
Sonji
You’re not so bad yourself, y’know, baby,
You’re like a mountain under thrilling stars
MA
Your pearls to me are celestial spheres
Your mascara make your eyes like portals
Unto the universe, your scarlet lips
Your slampadato skin, your primrose scent
Your pert & pointed Memphisean peaks
Your cresset breath’s mulciber symphony
Send signals to my secret secret soul
To share a permanent understanding
To interlace our sighs, & shed the tears
Of love, such substance as the angels weep
Back when there was no us there was no light
But now I am bedazzl’d by the truth
I’m totally in love & lust with you
& set my pulse connecting all the dots
My girl, with pure-hearted peroration
Come Claim this heart, it’s yours, & be my wife
Sonji
Hah – why don’t we get to know each other
A little better first, come on, let’s go
MA
But to – I have no leonera near
Sonji
My place is close by
MA
Alright, let’s go there…
You know you’ll have to become a Muslim
Sonji
What, you’re gonna shazam me just like that
MA
I think I just have, right
Sonji
You’re outrageous
Sonji
But let’s get out of here
MA
I cannot wait
Sonji leads MA out of the nightclub
Scene 26
Gary, Indiana / an Islamic wedding / MA & Sonji are exchanging vows in front of an imam / in the background is Herbert Muhammad, Bundini Brown & members of the Nation of Islam
Imam
Do you accept
MA
Qubool, qubool, qubool
Imam
Do you accept
Sonji
Qubool, qubool, qubool
Imam
Now under the sacred gaze of Allah
The wedding contract shall be sign’d Sonji…
& now your husband, Muhammad Ali
& now the two male witnesses will sign
Bundini Brown & Herbert Muhammad sign the contract
Imam
When we enstudy the Holy Qu’ran
It declares the happiness of spouses
Wearing each other’s finely spun garment,
Is a precious blessing, fairly receiv’d
From Allah himself; comfort, compassion,
Mercy, love – perfect traits to help us grow,
In our faith and love as well for Allah,
In whose dictates descry’d to the Prophet
We learn that every soul will have its match,
& hear, “it is He who created you
From one soul and created from it its mate
That they both might dwell in security
& so, as man & wife, as now you are
Respect the honour of these sacred bands
Twyx man & woman that have been proscribed
By Allah since the start of humankind
&, therefore, treat marriage as faithful act
Of worship, and treat the relationship
With our spouses with the utmost respect
Peace be upon you both, with the mercy
& blessings of Allah, as man & wife
MA & Sonji kiss
27: Malcom X Assasinated
Harlem / the Audubon Ballroom / Peter Goldman is on the podium speaking / Malcolm X is stood behind him
Peter Goldman
As when a captain gets a sudden urge
To swing his ship astern & elsewhere steer
For finer waters & more fertile lands
So has brave Malcolm, I give you a man
That would give his up life for his people
I’ll pass you over & in earnest pray
That you will listen & might understand
& so, tell me, how do you feel
Crowd
Fine sir
Peter Goldman
& who do you wanna hear
Crowd
Malcolm X
Peter Goldman
Let’s bring on our minister, Malcolm X
Let’s bring him on with a round of applause
Malcolm X, with a dark suit and a new beard, takes to the podium
Malcolm X
As-Salamu Alaikum Brothers, sisters, family members, friends,
I want to speak of the glorious time
When I unto the Middle East did go
On pilgrimage, accomplishing the Hajj,
In Mecca, where, epiphanizing true,
I discover’d an authentic Islam
Of universal brotherhood, respect,
Circumambulating the huge Ka’aba
Seven times, a crowd of chanting pilgrims;
Both sexes, every size, shape & color,
All ages blended in one happy knot,
No more will I paint white people evil
Tho evil is among them, not them all,
I have seen the pure possibility
Of integration, Islam holds the key
& not the sectish sliver that I’ve preach’d
Under the auspices of Elijah
Muhammad, no! the Whites are not devils
Some are among the planet’s most sincere;
In my thirty-nine years upon this earth,
Stood in the Holy City of Mecca,
Was the first time I’d ever truly been
Before the Omniscient Creator
& felt a human being drawn complete
& now have understood how true Islam
Is the one religion that erases
The racial problem from society
It is America that is evil
& not the Whites responding to its ways
Which have evolv’d in dross deformities
There is a disturbance in the crowd, two men began to tussle, one shouting, “get your hands out of my pocket – near the back, a man strikes a match, lights a strip of photographic film protruding from a rolled-up sock, and heaved it underhand. The mock smoke bomb fizzled to the floor, releasing noxious smoke, and a woman screams. Two security men moved toward the disturbance, leaving their posts in front of the stage.
Malcolm X
Now, now, brothers break it up, please, brothers,
Hold it, hold it, hold it,
William Bradley charges the stage in a slight crouch from the fourth row
Peter Goldman
He’s got a gun
Malcolm X is blasted by a sawn-off shotgun, lifting him backward off his feet and over a pair of wooden chairs. / bedlam erupts / Malcolm’s wife dives beneath some chairs, shielding her children and shouting, “my husband, they are killing my husband”/ Thomas Hayer, a twenty-two-year-old member of the Newark Mosque, fired insurance rounds at the prostrate Malcolm, hitting him in his left ankle. Leon Davis, another young member, shot two 9-mm rounds, hitting his thighs / more chaos / Bradley, the shotgun man, dropped his warm weapon, wrapped in a green suit jacket, on the stage. Davis also dropped his weapon, to avoid being recognized. Hayer, the least experienced assassin, held onto his pistol, giving away his role in the plot. The shooters maintained a military crouch and headed for the rear exit, two hundred feet away Goodman rushes to Malcolm, the hand of whose twisted right arm grasped at his belt in a defiant street pose / Malcolm’s mouth was like he was slightly gasping / he rips open Malcolm’s shirt and finds the holes in his chest / Malcolm still has a pulse, though it was weak and rapid
Peter Goldman
There’s a pulse, he’s alive, he’s still alive
Bystander 1
But he’s not breathing,
Bystander 2
He needs oxygen
Else he’ll die
Peter Goldman
I’ll do it give me some space
Oh my god, Malcolm come on brother, breathe
Goodman begins giving Malcolm mouth-to-mouth / Tiny air bubbles of blood begin to rise and fall over the shotgun holes in Malcolm’s chest / a gurgling sound starts deep in Malcolm’s throat, then a violent rush of air came from his lips: “uuuuuUhhh . . . AAAAAhhhhh ! & dies / Goodman shakes his head
28: Foreman
Houston / a man is hidden in the darkness – enter George Foreman in a rush, wearing body revealing clothes – he hides / enter police looking for him / they give up & move on – Foreman slips out again cover’d in mud & slop – he is approach’d by Jack
Jack
Hey kid… I said hey kid
George Foreman
Whaddaya want
Jack
Why are you running away from the cops
George Foreman
That’s none of your business
Jack
You in trouble
George Foreman
I might have been if they’d gone & caught me
Jack
This is no way to carry on, young man,
The future shines brighter life for thee
For you’ve got something of the cormorant;
Tall, conspicuous, thine aura deep-hued
Reveals a most meaningful destiny
George Foreman
Well, I’d certainly like to know it’s course,
I would love to make something of my life
But, then, I don’t know what I’m gonna do
Life’s hard in Houston, & I’m not so smart
Jack
You like sports?
George Foreman
Yeah, I love football, Jim Brown
He’s my hero
Jack
You ever tried boxing
George Foreman
Boxing
Jack
Yeah
George Foreman
Can’t say I’ve thought about it
Jack
I think you have got the perfect physique
You could be good I think, no, you’d be great
Listen kid, I’ve a friend call’d Dick Sadler
He runs a gym out in California
George Foreman
California
Jack
Place call’d Pleasington
He counsels for Lyndon Johnson’s Jobs Corps
You know, educates disadvantag’d kids,
But also coaches boxing
George Foreman
What of it
Jack
Well, if you get yourself on the program
You can learn carpentry, & stuff like that
But also beef up on your boxing skills
George Foreman
Boxing!
Jack
Yes, brother, trust me, you’ve got it
There’s something of the Herakles in thee
A warrior, fluidity & light,
Able not to feel both pain & hunger
It’s time to embrace the fighter within
Change long internaliz’d paths of routine
Convince yourself that something better waits
When far-fetch’d schemes, attainable, now spring
Swelling with invulnerable intent
Extraordinary facets of ourselves
Surface from being heavily guarded
Releas’d from the totality of themselves
Out of stupendous hardships power stor’d
To claw from spirit & in fights employ
Where truth reveals itself intensified
The average will seek adoration
Then certainty & appreciation
In the judgemental eyes of onlookers
The warrior seeks the impeccable
In his own eyes & calls that humbleness
The average hook’d to the average
The warrior’s hook’d to infinity
& so, if you’ll become a warrior,
Into this new life you can never bring
Your old & ugly ways, & call your goal
Perfection, now, & your guide it’s desire
To overcome the near invincible
Laxness of the Human Condition, now,
A paragon of discipline ye’ll be
Shedding all luxurious compulsions
Ridding oneself of dwelling on oneself
Deaf & blind to everything but battle
& for that battle training, knowledge comes
Like specks of gold dust sticking to our wings
Acquiring such knowledge is like taking
A shower of gold dust, when presences
Unknown once reveal’d unto our actions
Therefore, young man, are you a warrior?
George Foreman
I might be, sounds good, yeah, let’s do it, man
Jack
Well come on, then, lets meet your parents
Where do they live
George Foreman
well, I don’t see my daddy anymore
It’s just my mom, she’s raising four of us
We’re living out there in the tough Fifth Ward
The Evergreen Negro Cemetery
Goes crumbling below my bedroom window
In which are buried the brave brown bones
Of Buffalo Soldiers, mighty hearted
Fighting for America in its wars
After the great release of freedom won
By the shaking the Confederacy free
& let the slaves fall out like figs & fruits
Since eighteen sixty six, Fort Leavenworth,
The Ninth & Tenth Cavalry; Twenty-Fourth,
Twenty-Fifth & Thirty-Eighth Infantry
Have fought for Uncle Sam, the Stars & Stripes,
& for us all who live in this proud land
I’d like to be like them, I guess, sometimes
I trace their names in stone & wonder how
They died in battle, sometimes
Jack
Well, let’s make
The best Buffalo Soldier out of you
But once a man embarks upon the path
That treads the warrior, he must embrace
The ordinary life he used to lead
Forever must be left behind, ya dig?
George Foreman
I dig
Jack
& are you willing
George Foreman
I am
Jack
Good
Come on, let’s go & talk with your mama
Exit Jack & George Foreman